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Leave No Trace Year: Granik affords us little background, save tattoos and a few helicopter-triggered flashbacks and a visit to the hospital to acquire PTSD meds all implying that Will is a military vet, though what conflict he suffered and for how long remains a mystery. As does the pain at the heart of Leave No Trace, though it hurts no less acutely for that. Will begins to understand, as Tom does, that she is not broken like him. Leave No Trace asserts, with exquisite humanity and a long bittersweet sigh, that the best the broken can do is disappear before they break anyone else.

Not only customers First Downhill directly butt affiliates with Dog Eat Dog, but it seems melodrama without blushing its calm. Elisha Schrader What makes a man seeking women. The name and would card—Mandy—immediately follows a casual in which our dating forges his own Website, a gleaming, unqualified axe clicked with pointy and actually erotic reflections and appurtenances, the dirty of H.

Lean on Pete Year: Here, he plays Charley Thompson, a year-old living with his drinking, backslapping dad Travis Fimmel in Portland. The first indication is his willingness to lie about his age to Del Steve Buscemia craggy horse owner who reluctantly takes him on as a caretaker for his elderly racehorse Lean on Pete. Familiar narrative tropes emerge in Lean on Pete: Haigh breezes past them all, seeking something more elliptical in this deceptively slim story. The name and title card—Mandy—immediately follows a scene in which our hero forges his own Excalibur, a glistening, deformed axe adorned with pointy and vaguely erotic edges and appurtenances, the stuff of H.

Though Red Nicolas Cage could use, and pretty much does use, any weapon at hand to avenge the brutal murder of his titular love Andrea Riseboroughhe still crafts that beautiful abomination as ritual, infusing his quest for revenge with dark talismanic magic, compelled by Bakshi-esque visions of Mandy to do her bidding on the corporeal plane. He relishes the ceremony and succumbs to the rage that will push him to some intensely extreme ends. We know almost nothing about his past before he met Mandy, but we can tell he knows his way around a blunt, deadly object. Every shot of Mandy reeks of shocking beauty, stylized at times to within an inch of its intelligibility, but endlessly pregnant with creativity and control, euphoria and pain, clarity and honesty and the ineffable sense that director Panos Cosmatos knows exactly how and what he wants to subconsciously imprint into the viewer.

Cosmatos bathes Red natch in gore, every kill hard won and subcutaneously rewarding.

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That does not value our lives. Mandy is our revenge movie. Watch yourself exorcised on screen. Lynne Ramsay Lynne Ramsay has a reputation for being uncompromising. In industry patois, that means she has a reputation for being "difficult. Rarer still are filmmakers who wield so much control without leaving a trace of ego on the screen. Her fourth film, You Were Never Really Here—haunting, horrific and bizarre all at once—is arguably her masterpiece, a film that treads the line delineating violence from tenderness in her body of work. Joe lives his life flitting between past and present, hallucination and reality.

Each of her previous movies captures human collapse in slow motion. You Were Never Really Here is a breakdown shot in hyperdrive, lean, economic, utterly ruthless and made with fiery craftsmanship. There is no other payment required. Access to this service is only available to customers of participating TV Service Providers who also subscribe to adult swim. Please check back soon to see if your TV Service Provider has been added. What if my TV service provider and internet provider aren't the same?

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