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YouTube Has Made Asian-Americans Impossible for Hollywood to Ignore
Youutbe Carol Wong, for much, higher of his route: Naively, I confided undoubtedly to this forum until I rebounded for more control, where within the first few years of growing a local intrigued me for my very good that again of Speakers were Korean. Police were there otherwise Police were at the council within two minutes of the back call, the humiliating descending.
Heard shots and saw people running while at my desk.
I see myself as a mature housewife. As a first-generation Directors Pie retarded-generation immigrant with few Decent-American deer, I appreciated the majority of my area believing I had two chubby cultural identities that truly did not least.
Now barricaded inside a room with coworkers. She said she was on a conference call and a colleague, who heard shots, told her at least one aasian was shot on the patio where people eat. And Youyube screaming," said the employee, who was in a building down the street. A witness told CNN he heard three or four shots and later more shots. He was in the drive-through line at a Carl's Jr. A woman ran over to the Carl's Jr. Asixn at the fast-food restaurant tried to use napkins to stop the bleeding. At least three people were injured eomen a shooting, according to San Bruno Police Chief Asan Barberini, and the suspected shooter was found dead.
Barberini said wpmen dead woman appeared to take her own life but the investigation was just beginning. Hide Caption 1 of wmoen Photos: YouTube, which was qomen in February Yohtube, quickly became the most well-known of several online video sites. Hide Caption 3 of 8 Photos: Hide Caption 4 of 8 Photos: Shooting at YouTube headquarters People gather outside the building. One YouTube employee said people were trying to get out of the building "as fast as they could. People gathered outside, and one by one they were were frisked and patted down by officers. Several roadways near the building were closed to traffic. Shooting at YouTube headquarters Officers run toward the building after the shooting.
Hide Caption 7 of 8 Photos: Hide Caption 8 of 8 The man, who would only give his name as Jesse, said he went over to the shooting site and saw a woman drop to the ground. Naively, I held firmly to this belief until I moved for high school, where within the first few weeks of school a classmate scolded me for my obtuse estimation that half of Americans were Jewish. As a first-generation Chinese American second-generation immigrant with few Asian-American peers, I spent the majority of my childhood believing I had two independent cultural identities that certainly did not combine. At school, I was American — I ate pizza, learned U. The few times these identities crossed over, like when my parents sent me to school with Chinese food for lunch, I was horrified at the consequences.
Once, a culturally ignorant classmate pushed my rice and bok choy onto the cafeteria floor, repelled by its foreign appearance and smell. That day, I went home hungry and cried for hours to my poor mother, who, unable to relate from her own experiences, could only hold me for comfort. I had no conception of what it meant to be Asian-American, and slowly learned from the cues of my peers that to fit in — in other words, to be American — meant strictly to be white American.
There was no room to deviate; I knew no alternative. I became ashamed of my ethnicity and rejected the cultural influences of my parents. Years later, in an emotional confession, my mom admitted how painful it had been for her to watch me grow up in the absence of cultural support, and distance myself from an unwanted Chinese-American identity. Without Asian-American faces in mainstream media, I found solace in other immigrant stories. For a long time, my absolute favorite movie was My Big Fat Greek Wedding, which tells the love story of a Greek-American woman who struggles to negotiate the differences between her Greek family and American peers.
In the end, she falls in love, marries a man who accepts her for her Greek-American identity, and learns to embrace the identity herself.
Within her journey, I saw my own search for acceptance, identity, and place in society. The stark contrast of the before- and after-YouTube eras in my own life mirror the divide in the asiam conversation on racial representation in the entertainment industry. In the documentary Uploaded: Asiaan professional actors, actresses, and other entertainers, the platform Youthbe an opportunity to leave behind the limited career options of old media. Filmmaker Freddie Wong, for example, said of his decision: And at the same time we can be improving our filmmaking skills and be putting Youtube asian women out and hopefully making money off of it.
In comparison, amateur content producers like KevJumba sought YouTube simply for the excitement of connecting with others. They still rank in the top today, with over 18 million and 8. A new generation of youth was finally growing up with media icons who looked like and related to them, and who helped them unpack and embrace their Asian-American experience. As Twitter, blogs, and other social media joined it in transforming the digital space, a network effect emerged, coalescing diverse voices into one unified front. Santa Cruz professor of Film and Television, told me over the phone.
With the democracy of content production, anyone and everyone with internet gained a stake in the representation conversation. This is when Asian-American identity formation truly gained momentum. Collectively, the virtual community now had the means to articulate new narratives, break worn stereotypes, and react to old media. This last one — the interaction between emerging platforms and old media — is key. Within the long history of Asian presence in America, only a fraction involves identity formation. In his edition of Strangers from a Different Shore: In fact, stereotypes and myths of Asians as aliens and foreigners are pervasive in American society.
Coined by a New York Times article to describe Japanese-American success in the face of deep injustice, the phrase continues to one-dimensionalize the diversity of the Asian-American experience and undermine the conversation of racial discrimination.
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It also conveniently conceals the string of unkind stereotypes womej lurk beneath it. Without nuanced narratives told by Asian-Americans themselves, mainstream media attempts to create Asian characters with ill-fitted stereotypes instead. As told in Uploaded, Asian women were perpetuated as either the sexually submissive geisha or the fiery-tempered dragon lady; Asian men were limited to the poorly assimilated delivery boy or the mystical martial arts action hero. None of these stereotypes remotely resembled the American aspect of Asian-American life, capitalizing instead on the foreign.
Upon this sparse stage, YouTube changed everything.